GOODFELLAS (1990) – Review by Pauline Kael

2017-08-18T14:33:02-07:00 August 18th, 2017|Categories: CINEMA, MARTIN SCORSESE, PAULINE KAEL|Tags: , , |

by Pauline Kael Martin Scorsese’s GoodFellas has a lift. It’s like Raging Bull, except that it’s not domineering. It’s like Raging Bull made in a jolly, festive frame of mind. It’s about being a guy and guys getting high on being a guy. In the Nicholas Pileggi book Wiseguy, which [...]

RAGING BULL: INTERVIEW WITH MARTIN SCORSESE (1981) by Michael Henry

2017-10-07T08:43:57-07:00 July 31st, 2017|Categories: CINEMA, INTERVIEWS, MARTIN SCORSESE|Tags: , |

This interview took place in Paris during the night of February 11-12, 1981. A translation of "Nuit blanche et chambre noire" from Positif, April 1981. Translated by Peter Brunette. by Michael Henry HENRY: Robert De Niro brought you Juke La Motta's autobiography when you were preparing Taxi Driver. What attracted [...]

TAXI DRIVER: UNDERGROUND MAN – Review by Pauline Kael

2017-05-25T13:26:29-07:00 May 24th, 2017|Categories: CINEMA, MARTIN SCORSESE, PAULINE KAEL|Tags: , , |

by Pauline Kael Taxi Driver is the fevered story of an outsider in New York—a man who can’t find any point of entry into human society. Travis Bickle (Robert De Niro), the protagonist of Martin Scorsese’s new film, from a script by Paul Schrader, can’t find a life. He’s an [...]

RAGING BULL: RELIGIOUS PULP, OR THE INCREDIBLE HULK – Review by Pauline Kael

2017-08-01T17:03:55-07:00 May 8th, 2017|Categories: CINEMA, MARTIN SCORSESE, PAULINE KAEL|Tags: , , |

by Pauline Kael As Jake la Motta, the former middleweight boxing champ, in Raging Bull, Robert De Niro wears scar tissue and a big, bent nose that deform his face. It’s a miracle that he didn't grow them—he grew' everything else. He developed a thick muscled neck and a fighter [...]

FUORI ORARIO (1986) – Recensione di Franco La Polla per “Cineforum”

2017-06-05T00:16:17-07:00 February 23rd, 2017|Categories: CINEMA, MARTIN SCORSESE|Tags: , , , , , |

«Cambiano le regole. Quando si fanno le ore piccole è zona franca», dice il simpatico barista a Marcy e Paul, offrendo loro la consumazione, per divenire di lì a poco il burbero, inesorabile proprietario che impone al giovane l’ordinazione.