In the early winter of 1972, a Maine housewife dusting her husband's makeshift study fished a discarded manuscript out of the wastebasket and sat down to read it. When Stephen King returned from teaching high school English that evening, his wife, Tabitha, persuaded him to resume work on the abandoned novel, despite his conviction "that I had written the world's all-time loser."
With 2001, we learned the real depth and mass of space, and discovered that “The Ultimate Trip” was going to be a cold, lonely one—an adventure more daunting to the psyche than the body.
Kubrick’s original plan was to open 2001 with a ten-minute prologue (35mm film, black and white) — edited interviews on extraterrestrial possibilities with experts on space, theology, chemistry, biology, astronomy. Kubrick says that he decided after the first screening of 2001 for M-G-M executives, in Culver City, California, that it wasn’t a good idea to open 2001 with a prologue, and it was eliminated immediately.
We are happy to report, for the benefit of science-fiction buffs—who have long felt that, at its best, science fiction is a splendid medium for conveying the poetry and wonder of science—that there will soon be a movie for them. We have this from none other than the two authors of the movie, which is to be called Journey Beyond the Stars—Stanley Kubrick and Arthur C. Clarke.
The Five-O Interview James B. Harris: When Kubrick and I finished Paths Of Glory, Marlon Brando called us up and said I want to make pictures with you guys. I've seen "The james b. harrisKilling" and now Paths Of Glory and I think we should be in business. Let's plan [...]
by Gavin Smith Gavin Smith: What was it that drew you to the GoodFellas material? Martin Scorsese: I read a review of the book; basically it said, "This is really the way it must he." So I got the book in galleys and started really enjoying it because of the [...]
Marlon Brando enjoys being mysterious. The grandfather of all cool actors becomes the Godfather. Interview by Shana Alexander
Interviews with screenwriters Hampton Fancher and David Peoples, industrial designer Syd Mead, production designer Lawrence C. Paull and director Ridley Scott. Articles & Interviews by Randy & Jean-Marc Lofficier for Starlog magazine, November 1992 issue.
Excerpts from an interview with David Dryer, one of three special photographic effects supervisors for Blade Runner along with Douglas Trumbull and Richard Yuricich
“Films usually attempt to do the future by presenting a rather bleak, pristine, austere, clean look. It could go that way, but I’ve got a feeling it’s going to go the other way.” Ridley Scott is discussing his approach in directing Blade Runner, a detective thriller set forty or fifty years in the future.
Philip K. Dick interviewed while attending the 2eme Festival International de la SF de Metz, Metz, France, September 19-25, 1977
a cura di Gianfranco Graziani Filmcritica: Quali sono state le tappe salienti del tuo incontro con il cinema? Sergio Leone: Il mio rapporto con il cinema nasce con mio padre addirittura che, come sai, è stato uno dei primi cineasti italiani avendo girato il suo primo film tra il 1910 [...]
While audiences have long exhibited a penchant for movies about the future, few people expected today's science-fiction generation to go wild over a film set 80,000 years in the past. Yet that's what has happened with Quest for Fire, an ambitious work that portrays primitive man's attempts to understand and harness the elements around him.
William Gibson is this year's hungry stranger. He brings to the clubby little world of science fiction a genuinely new perception. His influences are not the safe icons like the Heinleins, but are the harrowing visions of a Robert Stone.
The following conversation with writer Diane Johnson, excerpted from an extended interview conducted by Larry McCaffery, centers on her experience as the scriptwriter for Stanley Kubrick 's film The Shining.
A candid conversation with the controversial atheist about the simple beauty of evolution, the improbability of God and why the pope should be arrested
by Marjorie Rosen In Hollywood circles the adage, "You're as good as your last picture," holds more truth than is comfortable or healthy. It could also be why interviewing a director as the reviews for his latest opus are rolling in may either resemble a wake or a euphoric victory [...]
A Fable for Adults by Elaine Lomenzo They asked Claude Lelouch which American director he likes the most and he says. "Sergio Leone!"—Sergio Leone It’s a warm, sunny March day at Cinecittà, and the film Sergio Leone has been trying to make for ten years is now in the final [...]
Paul Verhoeven has returned home to Holland for his latest film, Black Book, the harrowing story of a young Jewish woman who finds herself thrown by circumstance into the resistance against the Nazis, where she is asked to pose as a sexy cabaret singer in order to get close to Holland’s head of the SS
The following interview, conducted by Larry French in preparation for his forthcoming book on the films of Roger Corman, centers around that very fruitful period in Price’s career.
Jonathan Cott interviews Federico Fellini for Rolling Stone magazine. The conversation took place in the director's office in Rome, February 1984
The interview is transcribed from taped material obtained during the shooting of Nostalghia. As well, there are excerpts from conversations that were never recorded, and a brief excerpt from their first 1962 conversation, along with a few other statements made by Tarkovsky